Shobana Jeyasingh Dance : We Caliban review – postcolonial take on The Tempest is difficult to (…)
York Theatre Royal Jeyasingh’s choreography is well wrought and precise but Caliban’s struggles with servitude and resistance feel adrift amid a sea of ideas Choreographer Shobana Jeyasingh originally moved to the UK in the early 1980s to study Shakespeare, so it’s safe to say she has deeply (…)
Site référencé:
The Guardian (South&CentralAsia)
2003.jpg?width=140&quality=85&auto=format&fit=max&s=99da6b987e1cac9f9a98e124aa7d3cc4, 2003.jpg?width=460&quality=85&auto=format&fit=max&s=287dfeae1f2e7fcb73aa6e13e2dbe998, 2003.jpg?width=700&quality=85&auto=format&fit=max&s=89a56dfb322b88b6109432cc3544c41a
The Guardian (South&CentralAsia)
Pickle power : how to make your first ferments | Kitchen aide
21/10/2025
Infectious diseases are killing deer and risking rural US economies : ‘You smell the dead everywhere’
21/10/2025
UK government ‘deeply saddened’ as Maccabi Tel Aviv decline any Aston Villa tickets
21/10/2025
Cow worship and dogs on the lookout : photos of the day – Tuesday
21/10/2025
Santos’ release from prison felt like Trump ‘stuck me in the gut with a knife’, alleged fraud victim says
21/10/2025
‘I still have 100% passion’ : England’s evergreen Adil Rashid not finished yet
21/10/2025